![]() (See intervals.) The minor 7(b5) chord is built with a root, minor 3rd, diminished 5th and minor 7th.Īnother way to think of its construction is it is simply a minor 7th chord with a flatted fifth. The minor 7(b5) chord just adds a minor 7th interval, or flatted 7th, to the diminished triad pattern of root, flat 3rd and flat 5th. It's a rare chord in rock, blues, R&B, and many other popular styles, but it may come up and knowing it is important. You'll encounter the minor 7 flat 5 chord most often in jazz. ![]() It is sometimes called a half-diminished chord because of its similarity to a chord known as a fully diminished 7th, or just diminished 7th. This 7th chord is basically an extension of the diminished triad. So, we’ll show you how to establish the key your melody might be in, how to generate a palette of chords that work with it, then create an example progression using those chords.įrom there, you can vary the sounds you use and change up the rhythm and voicing of the chords to suit your own tastes.The minor 7 flat 5 chord is another fairly common 7th chord. One perennial issue for songwriters is what to do when they’ve come up with a melody line and need a chord progression to fit it. The chord progressions used in most pop songs are relatively simple, mostly consisting of a cycle of between two and four chords that are diatonic to the song’s key.ĭiatonic means that the chords are made up of notes in the parent scale of the key - so if a song is in the key of E major, say, then the majority of the notes in the melody will be found in the E major scale, and the notes that make up the supporting chords - bar one or two exotic exceptions maybe - will be taken from the E major scale too.
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